Some women are destined to arouse in men either fierce hatred or insatiable desire. Such a woman was Katie Mulholland.
At 15, a scullery maid in the house of the Rosires, she had been raped by the master. Now, many years later, she had enough money to maintain three carriages if she wanted to, and she was on her way to see Bernard Rosier under very different circumstances.
There was no pride in Katie Mulholland’s heart, however, only fear, for half of Tyneside still talked about the way she had flouted convention, and sniggered about the way she had made her money. So she had decided that her only hope was to climb above them, and that she would conquer her fear with power…
Publisher and Release Date: Audible Studios, August 2016 (Originally published 1967)
Time and Setting: 1860 – WWII – North East England
Genre: Historical Romance
Heat Level: 1
Reviewer Rating: 5 stars content/5 stars narration
Review by Wendy
Catherine Cookson’s tales of northern England were a part of my growing up. I have many on my ‘keeper’ shelf and have read many of my favourites by her, over and over again. She was a South Tyneside lass, illegitimate and born into abject poverty with a ‘sister’ she later discovered was her mother. Most of her stories are based on the people and places she was familar with. Her stories are gritty, shocking, sometimes sad but always real and compelling, and it is obvious that the poverty she writes of has been inspired by and lived through, not just researched. There is always the obligatory happy ending, but it is not easily reached. Ms.Cookson’s characters are, in my opinion always far more realistic than the norm – very few hearts and roses for her heroes/heroines. And one of the things I have always loved about her writing is that these heroes and heroines are not always beautiful or classically handsome – often they are working men and women who have suffered hardships and misery but who almost always triumph over adversity.
Katie Mulholland spans a period of some eighty odd years, beginning when Katie is just fifteen and has been working as a scullery maid at ‘the big house’ owned by the local landowners and coal mining family, the Rosiers. The tenants and workers of the Rosiers are treated abominably, they live in houses not fit for animals, work in the family mine, and even have to spend their hard earned ‘brass’ (money) on groceries at vastly inflated costs at the company shop. Katie is considered by her cohorts to be lucky not to be working down the mine or in the local rope works. A beautiful, sunny natured child, she is adored by her family and every fortnight, her trip across the moors on her afternoon off brings light into their soul destroying existence. Then one day Katie is brought home in disgrace, she is pregnant and will not name the father of her child for fear of what will happen when her father retaliates; as she knows he will. Bernard Rosier, the eldest son, raped her on the night of his engagement ball and, fearing the repercussions should his fiancée’s powerful family discover his perfidy, forces Katie into marriage with the mine supervisor, Mark Bunting, a man who is despised by the pit men. He holds the miner’s livelihoods in the palm of his hand and by marrying him, Katie will earn the derision of the local people. She marries against the wishes of her family, thinking to save them, but as it turns out, nothing can stop the terrible and tragic series of events which sees Katie and her family on the road with her baby daughter. By now Katie has become the lynchpin of her family. Like children, they all look to her for guidance, and eventually, because of the overwhelming love she feels for them and also the guilt as a result of her pregnancy, she is forced into making a heart-rending decision which will have far reaching consequences. She may think that she has left the Rosier family behind, but her life is inextricably linked with them forever.
Katie meets and eventually marries a Swedish/Danish ship’s captain, Andree Franenkel, whom she calls Andy and, through him becomes a rich and powerful woman. But again and again, her life is touched by the vindictive and tyrannical Bernard Rosier who holds her accountable for every ill that has ever befallen him and refers to her as ‘the Mullholland woman’.
Katherine Cookson’s characters, are real, down-to-earth and intuitively developed. Bernard Rosier, though initially handsome and powerful, degenerates into a dissolute, menacing and frightening monster and each time he made an appearance I was on the edge of my seat. Katie is a beautiful and talented young women, but no matter how powerful she becomes, she never quite conquers her fear of Bernard Rossier and such is the power of Catherine Cookson’s writing that we, the reader, feel that fear, which is palpable and overshadows Katie’s entire life. Andy is just adorable, large, blonde, bearded and older than her by some sixteen years, he is utterly captivated by her from the first night he meets her. It is Andy who is Katie’s salvation and it is he who recognises that the only way he can help his ‘Kaa-tee’ kick poverty and her fear of Bernard Rossier is by making her rich and powerful and sets out to do just that – and succeeds with amazing results.
Susan Jameson, a British actress of some repute, is absolutely superb as the narrator of Katie Mulholland and handles the large cast of male and female characters, northern dialect, upper classes and – later on in the story – an American, with aplomb. I don’t believe that there is another actress who could capture and hold without wavering, and without putting a foot wrong, the dialects, humour and characters through almost twenty one hours of narration in the way that she does. Considering that this story spans such a long period, Katie’s voice goes from a youthful fifteen year old, through to a very old lady and Susan Jameson adapts her own tone and timbre to take account of this ageing process whilst still making Katie very recognisable. Andy’s English, spoken with a strong Scandinavian accent and an undoubtedly male, deeper intonation, is superbly done and the all consuming love he feels for his ‘Kaa-tee’ shines through and is really quite moving at times; even the jaunty sailor in him is apparent.
I just loved this feast of a book, one of Catherine Cookson’s earlier novels, first published in the 1960s. Susan Jameson brings it to glittering life with her very talented acting skills; this is no light listen and it is one which will probably leave the listener feeling wrung-out. Nevertheless I highly recommend it. There are more and more of this author’s books becoming available in audio, all narrated by Susan Jameson and I am holding my breath and waiting for two all time favourites to become available – The Dwelling Place and Kate Hannigan.