Still tied to his desk in the Intelligence Office, Colonel Eden Maxwell has become increasingly disenchanted with both Oliver Cromwell and his own daily existence; and with the advent of new Royalist conspiracies, he despairs of ever getting away.
Then a brick hurled through the window of a small workshop sets in motion a new and unexpected chain of events. After all, who would want to hurt Lydia Neville – a young widow, giving work and self-respect to maimed war veterans considered unemployable elsewhere? But when the assaults in Duck Lane escalate, threatening the life and remaining limbs of some of Eden’s former troopers, finding the culprit becomes a personal crusade.
At their first meeting, Lydia finds Colonel Maxwell annoying; by their second, having discovered that he had arrested and questioned her brother in connection with the Ship Tavern Plot, she mistrusts his motives. On the other hand, it swiftly becomes plain that she needs his help … and has difficulty resisting his smile.
Solving the increasingly hazardous mystery surrounding Lydia is not Eden’s only task. Between plots to assassinate the Lord Protector and a rising in Scotland, he must also mend the fences within his own family and get to know his son. Life suddenly goes from mind-numbing boredom to frenetic complexity.
With reckless Cavaliers lurking around every corner and a government still struggling to find its way, Lords of Misrule is set against a time of national discontent and general failure. But readers of the previous books in the series can look forward to catching up with old friends as well as meeting new ones … while, against all the odds, Eden and Lydia find danger and reward in equal measure.
Publisher and Release Date: Stella Riley, May 2016
Time and Setting: England 1653 – 1655
Genre: Romantic Historical Fiction
Heat Level: 1.5
Reviewer Rating: 5 stars
Review by Wendy
It’s always difficult to come to a series of books part-way through, so when I knew that I was going to review Lords of Misrule, I decided to quickly acquaint myself with some of the background information to the series and about the English Civil War, my knowledge of which was sketchy to say the least. I was advised to read The Black Madonna (first in the Roundheads and Cavaliers series) and was very glad I did, as it’s here that we first meet Eden Maxwell, who is the hero of Lords of Misrule. Married young to a woman who was completely wrong for him, his early experience of love and marriage has left Eden deeply mistrustful, embittered and unable to show love to his son and resentful of the little girl he realises he did not father. He rarely returns home even though his wife disappears with her lover soon after discovery and his continuing absence drives a wedge between himself and his family even while it is not what he wishes. A decade later, and older and wiser, he has vowed never to trust love and absolutely never to marry again. By now a confident and battle-scarred soldier, Eden is also a man who does not suffer fools or trust easily; and I adored the tetchy, vulnerable, overprotective, charismatic character that Eden has become – and then there’s that devastating smile!
These are serious times. England has been in the grip of civil war for well over a decade; families are split, the Country is short of money and the anointed King has been executed. Oliver Cromwell has been named Lord Protector – king in all but name – and parliament is attempting to bring some order to a divided country. Eden Maxwell has become a discontented and disenchanted man, and, owing to his inborn integrity and sense of justice is finding himself frequently in sympathy with both sides. Employed as an Intelligence officer and code breaker at the Tower of London, Eden reports directly to Cromwell’s Secretary of State, John Thurloe. He is first and foremost a soldier, and having fought in and survived three civil wars, is not happy with his current role as paper pusher and glorified errand boy.
When a brick is hurled through a window of recently widowed Lydia Neville’s workshop in a seemingly random attack, she is thrown into the orbit of Colonel Eden Maxwell. He instantly becomes interested – Lydia, an entrepreneur and philanthropist, has continued on with the work she began with her now deceased husband. They had intuitively recognised a need, and then provided the opportunity for honest employment for wounded and disabled soldiers, casualties of both sides of the war; and then too, for the widows of soldiers left with families to care for. At first Lydia and Eden strike sparks off of each other, he overbearing, cynical and dismissive; she independent, feisty and not about to allow any man to control her or her actions. Worthy adversaries both, it isn’t long before their antipathy turns to reluctant attraction, as they are drawn to each other firstly by their joint empathy for Lydia’s workforce and then by the threats and intimidation levelled at Lydia herself.
The challenge presented by the ever increasing threats to Lydia and her workforce is something that Eden relishes and embraces with enthusiasm, as well as bringing out his inborn desire to protect. The romance, which develops slowly over the entire story, sends shivers down the spine, but in Stella Riley’s inimitable style is never allowed to take-over, this being very much a historical romance with the emphasis on ‘historical’. Ms. Riley’s characters are superbly well drawn and they quickly become our friends; we love them; admire them; feel for them; worry for them. It’s something the author does incredibly well, we meet actual people, who lived and contributed to the past, but so well developed are her fictitious personalities that it’s easy to forget which are historical and which are figments of her very fertile imagination.
Stella Riley’s story has encompassed everything; fantastically well researched and richly described historic detail, characters to love and swoon over and an incredibly well devised plot that had me guessing until the end. It’s intricate, plausible and intelligent, displaying her unique talent for ratcheting up the drama until we’re left gasping from the sheer ingenuity and thrill of it all. As is always the case with any story written by this author, the relationships between her characters, especially the men, are sensitively and tenderly grown, their camaraderie beautiful, moving and at other times extremely funny. Ms. Riley has a very dry wit and some of the scenes between Eden and his brother, Tobias, are especially touching and amusing in turns.
What a fascinating period the seventeenth century was, and since embarking on my Stella Riley binge, I am continuously asking myself how I could have failed to be interested in this vital period in English history. Ms. Riley’s scholarship is incredible; this is such a complicated period to get to grips with and her descriptions, knowledge and quite obvious love for it shines throughout. How can we, the reader, fail to be infected by this author’s hard work, enthusiasm, knowledge and outstanding writing skill? I can’t recommend the Roundheads and Cavaliers series highly enough and fully intend to go back and read Garland of Straw and The King’s Falcon because it is not to be missed.