His idyllic estate is falling down from neglect, and nightmares of war give him no rest. Then Devlin St. Just meets his new neighbor….
With her confident manner hiding a devastating secret, his lovely neighbor commands all of his attention, and protecting Emmaline becomes Devlin’s most urgent mission.
Publisher and Release Date: Tantor Audio, June 2016
Time and Setting: Yorkshire, England 1818
Heat Level: 2
Genre: Historical Romance
Reviewer Rating: 3,5 stars (4 stars for the story / 3 stars for the narration)
Review by Wendy
I always enjoy Grace Burrowes quirky writing style, it has a warmth and ‘homeliness’ about it which is quite unique and very recognisable as the author’s very own. The Soldier second in her Windham series, features Lt. Colonel Devlin St.Just, newly created first Earl of Rosecroft, who is the epitome of this author’s likeable, down-to-earth, male characters. Although I haven’t read all of the various series’ attached to this book, it wasn’t too hard to follow – even with the numerous friends and family members who pop up throughout the story, and I would say that it can be read/listened to as a standalone.
Devlin St.Just is the eldest – though illegitimate – son of the Duke of Windham, but lived with the Windham family from the age of five and has always been accepted and loved by the duchess and his younger half-siblings. For most of his adult years, Devlin was a soldier and fought with honour at Waterloo. Throughout the story it is obvious that he is suffering from what we know today as PTSD; obviously a sensitive and caring man he is tortured by flashbacks, nightmares and even – initially – impotence. He also suffers with a serious drink problem which his younger brother, Valentine, has helped him to overcome, although he still has to fight his urges for the liquor bottle – especially on a bad day.
On his arrival at his new estate, Devlin is presented with his predecessor’s by-blow, a small girl who was recognised by her father and grandfather, the old earl. Devlin understands, with the knowledge of someone-who-has-been-there-and-done-that, how important it is for the all but feral little Bronwyn – or Winnie as she is most commonly known – to be loved and accepted. It’s one of the really nice aspects of the story; the way Grace Burrowes shows this connection and understanding between the fully grown, product-of-his-past, man, and the tiny vulnerable little girl. Along with Winnie comes her very attractive, also illegitimate cousin, Emmaline Farnham. Emmie has lived on the edge of village society, barely tolerated by all but the local vicar who has a long-held affecton for her. Emmie is the only one who has ever really shown Winnie love, but as she is forced to earn a living – working herself into the ground in the process – baking for the local community, she has not been able to give much of her attention to her charge.
Emmie and Devlin are drawn together by their similar pasts but also by the love and concern they share for Winnie. It soon becomes apparent that the two belong together but Emmie has a secret which she is determined not to reveal, and for the second half of the book, as their attraction to each other ratchets up, she seems to do nothing but cry! And whilst I admire the fact that Grace Burrowes doesn’t shy away from mentioning bodily functions, I did get a bit fed up with Devlin talking about her ‘menses’ being the cause. Apparently with five sisters he knew all about such things! However, menses and bodily functions aside, I really liked Devlin; he develops throughout the story into a thoroughly decent and likeable man, his insecurities only making him more endearing and loveable. The author captures little Winnie perfectly. The child reacted as I would expect a child of her age to behave in certain situations, especially given the insecurities and tragedies she has suffered.
I do not think that James Langton was a good choice to narrate this story. Whilst he captures Devlin quite adequately and effectively portrays his caring side, I found his use of an Irish accent a little over the top. Devlin had lived with his Irish mother for only the first five years of his life and I find it difficult to believe that after well over twenty years living amongst the aristocracy, he wouldn’t have lost his strong Irish brogue. Emmie is described as extremely attractive with long blonde hair (which, in true Grace Burrowes fashion, Devlin likes to brush for her!), but as I said previously she cries a lot, and Langton’s high pitched tone of voice highlights her as a rather whingy, whining, misery. She was not a character I liked a great deal anyway, but the tone of voice employed dispelled any image in my mind of attractiveness. The vicar, whom Grace Burrowes indicated as handsome, caring and tolerant in her written portrayal of him has been given a lisping, foppish voice with a rather patronising edge to it. But by far the worst characterisation is that of Douglas Allen, Viscount Amery (Douglas – Lonely Lords, #8) apparently a rather dishy, youngish man, with a wife, stepdaughter and new baby who sounds like a pompous, ninety year old, his voice croaky and elderly.
As usual Grace Burrowes’ use of Americanisms is annoying. The sorts of muffins we eat for breakfast in England are toasted and not the sorts of things you can just put in your pocket (unless you want a pocket full of melted butter and jam!) and there is even mention of rabid dogs! Did we have rabid dogs in England in the nineteenth century? And a swing on the porch – reminiscent of the Deep South of America but not something I’d expect to find on a Yorkshire estate. On the whole, though, The Soldier is a solidly and empathetically written story, covering quite a few serious issues which are still relevant today.